Te Papa Tongarewa, New Zealand’s national museum, has a new exhibition open for the summer: Game Masters. It looks like it will be pretty epic, and we loved seeing that the museum staff seem to be getting well into the spirit of the exhibition, with this Mario-theme post-it art adorning some Te Papa office windows. This post-it note art looks pretty fresh, and aren’t these windows in particular just perfect for it? A fun sideshow to a walk home from work!
Posts tagged ‘Exhibition’
I’m always happy in an art gallery (or as they tend to call them in the Northern hemisphere, art museum. Here are a few of my favourite pieces of art spotted in galleries along the way on our travels over the past few months. Looking back on them certainly makes me happy, as I remember how happy I was standing in front of these beautiful, inspiring and creative works. So, I hope they might make you happy too, in some small way. The common denominator seems to be, for the most part, vibrant colour. Colour certainly does make me happy (the brighter the better!), as does trying out this new gallery format…
CIA is not feeling well. Whilst we were in Zürich, she was on a blog vacation, and that explains why you’ve got so much PJD, and so little CIA. She planned to write a post tonight, but since she can’t, we developed a mini writing challenge. She picked out this picture from her cellphone, and I have had ten minutes to think about what I would write in response. I then have 20 minutes to write that response.
Here’s the picture:
And here’s the response:
If you have already read my post from yesterday, you will know that Slow Art at the Nationalmuseum in Stockholm made a huge impression on both of us. I promised that today I would share with you the piece from the Slow Art exhibition that really stole the show for me. In fact, I think Mafune Gonjo‘s Beauty has a thorn is the most beautiful and innovative piece of sculpture I have ever seen.
Last week, PJD shared an in-depth glimpse into one of the art exhibitions that we have been most impressed with, ever. This was the incredible Slow Art exhibition at the Nationalmuseum, which we were lucky to find by chance when we were in Stockholm recently.
Slow Art has really lingered in our minds; we have discussed many of the pieces we saw in the exhibition a number of times since we returned home to Leiden, reflecting on the fact that an overarching characteristic of the works was their exquisite beauty and uniqueness. So, today I thought I would share a few more of our favourite pieces. Sure, we loved them all, and the ones that PJD has already documented in his post were certainly amongst the most impressive. Yet, the depth of the quality in this small collection was quite astonishing, and these pieces really are quite something… Read more
Sculpture amazes me, and I have stood for long periods of time in awe of the detail – in different styles – that sculptors such as Rodin, Louise Bourgeois (the sight of her Maman standing aloft in Tate Modern’s Turbine Hall still haunts me!), Michelangelo and Alberto Giacometti manage to infuse into their pieces. I also love more abstract sculpture by artists like Richard Serra and Henry Moore, which are often particularly striking through sheer size, shape and vision, rather than minute, life-like detail. Surely though, the human body must remain as one of the most challenging subjects for a sculptor. Perhaps this was one of the reasons why the two pieces of sculpture below caught my eye during our travels over the last few months, and have lingered in my mind. As you can see, both are of human heads but they are separated by centuries and vastly different stylistic techniques. Yet looking at the photos I took of them, I find them both captivating and convincing pieces of artwork, and seeing them here next to each other, I like the contrast too.
As I wrote about a couple of days ago, Mudam, Luxembourg’s contemporary art museum, is an architectural gem. I promised to take you inside the building, so you can see for yourself whether the building on the inside stacks up to how it looks outside.
The materials on show on the outside flow through to inside, making for gallery spaces that are in many instances beautifully lit by natural light which spills in through the large panes of glass in the roof and widows. The Grand Hall greets you soon after arrival. It is breathtaking in scale and structure, and serves as the main hub of the building, with other galleries leading off on either side and at different levels. Without a doubt, the moment I glimpsed the Grand Hall, I knew that we were in for something special.
So, there we were, just casually strolling in the Hague upon a spring afternoon, and we happen across an elephant. Just there, yes, an elephant, in the middle of the street. Huh? I hear you say. Well, that’s what I was saying to myself (and to PJD) too. It sure was a little out of place amongst the graceful, leafy, European streets, and the international legal fraternity. But it was there, nonetheless.
It certainly wasn’t any regular, plodding-across-the-plains-of-Africa type of elephant. No, this elephant was altogether different.
He was, as you can see, rather majestic and distinguished, as, I think, elephants tend to be, and was attracting quite a lot of attention. But why was this elephant there, I hear you say? Well, it turns out we just happened to stumble upon the new Hague summer sculpture exhibition, The Rainbow Nation, part of the Hague Summer Festivals.